Showing posts with label frozen. Show all posts
Showing posts with label frozen. Show all posts

Sunday, January 27, 2019

Do You Feel Like You're Working Hard For No Reason?

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If people knew how hard I had to work to gain my mastery, it would not seem so wonderful at all.”  Michelangelo

Adventure 217: My buddy and me far from home in Africa..

     "Danny you should write your stories out." "You need a blog." "DANNY, your life is so cool.." (on the inside I'm rolling my eyes so hard and saying fuck off.. 
They only hear the adventures and they don't listen to HOW I got to this point.) I'm not ungrateful but I've noticed that what they see is a guy in a different country every other minute. They see a guy who worked on Frozen and had been a part of Disney Animation for nearly a decade. They call me brave, talented and different... Buying one way tickets and living out of a backpack for 3 years, Crossing seas and passing by lakes that he can't even pronounce. They project onto me this Indiana Jones character, or hell, for all I know maybe they see me as Julia Roberts in some Eat, Love, Pray bullshit.  Have you ever watched the film, 'The Fall* with Brad Pitt? Remember when he's off in the back of a caravan crossing some foreign desert on another continent with weird animal furs and women napping on him? I'm sure that's what a lot of people imagine me as, which sure... it sometimes has been like that but let me give you a peek of the not so glamorous side.

(I'm currently writing to you from the Nordics. Where it is -15 degrees and the snow looks like a million diamonds sparkling in the sun. It's a rare sunny day here and it's motivating me to be creative and write this post. I just had some oatmeal for breakfast and I have my coffee sitting next to my keyboard. It WOULD be pretty peaceful but I'm listening to "Mo Bamba" head banging as I type. Thanks for joining me here and reading this post.)

"Remember that every successful person or any person that is remotely happy is coasting off the momentum they have made."

    Take moment to read that again and let it sink in. Think of how a NASA rocket takes off. It has to use so much of it's fuel to escape the gravitational pull of the earth. Once it's gone though, it can virtually coast through space for the rest of it's journey. It's the same with people. An extreme example is an amateur athlete who trains like a spartan from years. After they win a gold medal or a championship, offers for endorsements, spokesperson contracts, merchandise deals, and other opportunities often come pouring in allowing them to slow down a bit and take advantage of the momentum they created earlier in their career.
    Likewise for any business minded person or profession, once you paid the price to establish yourself as an expert or a person of integrity who delivers high quality results on time, YOU WILL reap the benefits for the rest of your life. What does paying the price look like? It looks like spending countless hours working towards something shows no sign in getting closer. It looks like not getting paid for what you're worth and taking shitty deals. Sometimes you work for months will no real income. It is being scared, unsure and having tons of doubt but it never never never looks like giving up and staying still. You take all this and you keep moving... sometimes for years.

     I'm in the middle of this 'paying the price phase' right now for the second time in my life. "Wait.. What Danny? But you're set already aren't you?" (I literally "PFFFFF'ed" right now at my computer) Yes I'm in the middle of this again... and wait for it: BY CHOICE.) 

     Sure the first time I paid the price I was putting in the hours as a teenager. I was staying in my room, watching friends on TV and drawing day after day. Parties and hang out's? Once in a while yes I would be social but 80 percent of the time I was with my nose in my sketch book drawing my little heart out. During college, I was pulling all nighters when nobody told me I had to. Completing personal projects for no purpose other than to get it out of my system. I didn't know if it was good, but I did it. I read, I studied, I redid work, I was a machine. My thought to myself, If I am not practicing, someone somewhere is. The average Olympian trains four hours a day at least 310 days a year for six years before succeeding. Training works, but it isn't easy! You need to be willing to pay the price. 
       Even after arriving at Disney and Pixar, I would stay waaay beyond working hours diving into lectures and practicing my animation. Not because I felt my animation wasn't good enough, no. I was still 'training' because I knew my real goal still required me to learn. My real goal extended beyond Disney and Pixar.. I wanted to work for myself. I told myself, I'm not going to work on someone else's idea for the rest of my life. And that required not only learning about animation but diving in and learning inside out all the other parts of the Pixar7Disney studios. I remember I would email and ask Mark Andrews if I can sit in on the story internship critiques at Pixar and I would stay quiet and invisible in the back corner taking notes. I remember I would always go to the Art department in Disney and look at every concept design board and the notes written all over the work. I remember feeling so lucky when I fought tooth and nail to be given the chance to ask Miyazki HIMSELF a question on how he goes about organising his ideas and what was his process in picking ideas for films and scenes. Every thing I did was in the direction of a goal I had in my mind. If an action wasn't getting my a tiny step closer to my vision, I'd ask myself why I was doing it.
 
ME: Working hard or hardly working? 

      There was never a moment I felt I was ready to take my goal head on, but eventually I left the safety and comfort of Disney at the age of 27. I felt good with all the knowledge I had gained. Whatever came my way, I should be able to handle it right? I have seen the inner workings of one of the most successful company in history works. I've worked on billion dollar oscar winning films that have literally effected and changed a generation. But a reality check soon knocked me down with the force of a million hurricanes.

     "What is a business plan? How do I type an invoice? Did you word that contract correctly? Was I too modest and come off as an amateur when I should of been bold and sold myself better? Are you sure you're spending your money the right way? Did you just accidentally offend them as you were introducing yourself because you aren't aware of how the culture works in this country? Do you even know how the taxes work when you earn income from outside the USA?"

   OMG I have so many other examples of shit I went through these last three years.. The ones I typed above are just a few. So again I put in the work, I read, studied and typed and spend countless hours staying up all night learning. Most importantly I asked questions. I remember meeting a business investor in Nashville and after two drinks I kind of straight up asked, "What does an investor look for?" and for the next 3 months he helped me type  and revise 21 pages of business plans and other things.   

      The biggest thing to get what you want is to ask, ask ASK. You have to get use hearing the word 'no', you have to get use to getting ghosted and your emails receiving no responses. You have to get use to getting looked at funny, feeling like an idiot and just being in way over your head and out of your league. But it is paying off. Now I can say I'm set up with contracts with musicians and companies doing work on my own terms where I get creative freedom to do my ideas. I'll share all that if you'd like in another post. 

     Anything worth doing is worth doing badly in the beginning. Remember when you first learned to drive a car. to ride a bike, to play an instrument, or to play a sport. You understand in advance you were going to be very awkward at first. It's just part of the process. And this applies to everything! Children know the best that you have to give yourself permission to be silly. But sadly by the time we are adults, we're so afraid of making mistakes or if something doesn't workout, we don't allow ourselves to be awkward. So we don't learn, we don't succeed and we're so afraid of being wrong. 

We all had a first kiss... How awkward was that? if you could survive that, you can survive the hardships of chasing your dreams. 







Tuesday, August 25, 2015

Back to School Tips for Artists




       Art College costs a lot of money! What else is new... We can't change that. What we can change is how to make the most out of it. And guess what is also tough, being a successful artist! Lots of wasted energy can go into your freshman year or any year for that matter. So here are a bunch of tips I read from an article a while ago I thought would be helpful to share. Hopefully it will help out some people! Its hard being a Freshman so read these tips and maybe write a few down ;) Good luck! 

DID I CHOOSE THE RIGHT MAJOR??
If you can, double major. Do one that is practical and likely to get you a job! Seriously, putting your eggs all in one basket being an animator or a painter.. Don't do it! Its a huge risk! Thank me later. 


Sit in on your intended major’s upper-level classes. If they bore you, change your major. (For animator's with their eyes set on big studios TAKE A CG CLASS YOUR FIRST SEMESTER) 

Ask upperclassmen which professor challenged them and helped them understand the most important concepts to their major. Take the class from the professor that comes up the most. 

When you pick a major, find out if people usually take more schooling after graduating in that major. Sad story is, that most freshmen don't know that their art B.A. wont do anything for them in many fields.  


It’s never too early for internships. Or you will have regrets. Many people wait till their senior or junior year which is a big mistake. You can always return back to school, you can't always ask for that opportunity to internship once it passes.  Don’t let one of those big regrets be lack of experience because you started looking for internships after you graduated and need a job. 




CLASS STRATEGY

If you don't like a class or you think you are being over worked. Drop a class! Or if you don gel with a teachers teaching style, switch! 

Do all your hard classes first. Or you WILL burn out.
Not every professor is great. Not every course is great. Sometimes you have to take the bad ones. The trick is not to let your good classes suffer because the bad ones caused you to burn out early. Prioritize your time ;) C's and D's get degrees!! (I heard that term from a friend in Berkeley haha)

If you’re in a major that has a lot of writing, take a class that teaches you how to write — not one of those waste-of-time freshman seminars that have a topic and tell you to write about it, but one that actually teaches rhetorical styles and how to think about writing. If you learn to write well and fast, A’s from all-nighters come easy, especially in upper-level classes that only have you submit a paper. Not so much related to art students but the concept is. You have a major that has a lot of drawing, LEARN HOW TO DRAW well. Don't take a walk in life drawing class, take one where the instructor actually cares and instructs. 

Ask your teachers questions often.

Ask your advisory what classes are required and fill fast? take those early. If not you might be in a situation where you have to graduate an extra semester later bc you couldn't get into a required class. 


STAY ALIVE

If you don't exercise, try doing it the summer before you start school and try to keep it going through classes. You will be sitting and going through a lot of stress. Get your body ready and weather the storm as best you can!


SLEEP! 10 minute power naps will save your life. There comes a point where you will become unproductive, learn to recognize that and just go to sleep. wake up with energy and get back to the grind!


Ask for help if you are drowning. An adviser, a teacher, fellow students. You are not alone and we're all trying to get you to succeed.
NEWS FLASH! It’s O.K. to skip a class here and there. It’s O.K. to go to class in pajamas. It’s O.K. to go to class with a runny nose. Don’t worry about that one class you tried hard in but still earned only a D. It won’t matter in the long run. 




LIFE

Get to know the people around you, even if you dont think you'll like them. everybody knows something you do not, find out what that is, and in the process you might learn to like them. Make your wolf pack squad that will get your back when you're sick and forward you your class assignments. Socialize with your professors and classmates, you never know when they'll come in handy.

LEARN HOW TO DO SMALL TALK FOR CHRIST SAKE! I don't care if it's awkward, practice it!! Its a basic skill that will cripple you if you don't have it when looking for a job.

Enjoy college, go PARTY, project X style! Go make friends, make mistakes, go to sporting events, get into trouble once in a while! Dont let life pass you by.

Do try to go to class. your professors are people too. Be kind and respectful. They are trying to teach you some good stuff.

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I hope this helps you out, share it with fiends and remember to not under estimate college! Good luck to all you starting the school year.  If you want to read a better written version of these tips click here! James Yang wrote a much better article than  me :) 

Saturday, August 15, 2015

Why does Disney still have drawing classes?

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(I read this really cool article a while back! Thought I'd summarize it here because it touched upon some important things students and new animators should keep in mind! Enjoy the post!)


The Disney Studios

"Disney makes movies with only computers now, nobody draws, CG is destroying the business, Remember when animation used to be good??"

      This is shit I read on the daily.. But it couldn't be further from the truth! Over here at Disney we draw, and are always learning. For about 82 years this studio has been developing and teaching artist behind the scenes through figure drawing classes and with lectures on classical drawing.

Why??
       As artist we are dealing with characters. Characters have bodies and we have to know how to move them believably! Other wise you get animation that looks like it came straight out of 'QWOP'



      In these drawing classes here at Disney, they don't just lock us in a room with "it's a small world" blaring from speakers as projectors flash the words: "MAGIC MAGIC MAGIC" over and over, lol. We actually have some pretty cool drawing masters lead the class and walk around as we draw the model. Sometimes as they will politely interrupt you and say, "Nice!" While other days they might sit down and give you a personal demo on how to nail that foreshortened knee.
      You can create an animated film with out knowing how to draw. But it's more about what drawing knowledge can add to your art. "You can't achieve dynamics with out bones and structure, and in order to have structure you need to study it. From there one can extend out in any direction towards any style." -Karl Gnass

      Check out this drawing by Glen Keane. Drawings like these influence how the characters are created and sculpted in computer animated films.

   On a more personal note, these drawing classes aren't to just have us in tip-top shape 24/7. They also serve as an escape. I know I go to these 2 1/2 hour classes during lunch to get away once in a while. Some people play Foosball, others sit and video chat with love ones. All day you are working on the directors vision and bringing it to life which is awesome! Though, getting some 'me' time to remind myself, 'hey I have ideas too' is also great. I get to do what ever I want in that class and have some fun creating something for no one other than me. That opportunity to do that in your work place is priceless!

      Who do we have to thank? Art Drawing classes started at Disney around 1932 thanks to Art Babbitt. It was uninstructed at first, but then Disney hired Don Graham, who taught at an art school in Los Angeles.

Figure Drawing back in the day

    Now to something relevant: You will see computer artist who are attending drawing classes with the sole intent to gain some secrets of how things move by studying anatomy and structure. They don't understand that its more than that. You have to not only understand why something is right but also how to create it from the inside out with feeling. (WOA DANNY, that was way tooo artsy. slow down there) All I'm saying is that you don't draw to become an animator or to work in animated films. You draw to help yourself become an artist. And that said, Artists can make the best animators.

Thanks for reading!
The original article is here so make sure to give it a look for it is much better written :) Original text

Friday, January 23, 2015

Animator Doodles

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    Well Big Hero 6 came and went and it was definitely an adventure, That would make it.. my 3rd Disney film under my belt. Now I'm working on Disney's ZOOTOPIA which is looking very promising. And as if I already didn't have enough on my plate I'm also teaching at CalArts 2D animation which is a lot of fun.
         I though I'd make a post and show you a window into my day to day life. It's not a crazy insight unless you are really fascinated with an animator's day to day doodles and the humor I have developed on my Snapchat. Enjoy the pictures and always keep in mind, every situation have entertainment value!

 


 



 


 

 










Thursday, October 9, 2014

Things animators say at Disney

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Animators are always talking: we trade tips, talk art, make each other laugh.
We're family behind the scenes
   
  I think the best kind of advice and life lessons come candidly. Sometimes the things people say when the mic isn't on, get right to the point and is more truthful than any prepared speech can ever be. These quotes below are some I found on the internet. If you are looking for more: Andreas Deja has tons of quotes on his sight and so do a whole bunch of other blogs. So this is a short list of some things the 9 old men use to say. (who were the 9 old men? -They set the bar and raised animation's status in art. They were Master Animators that worked at Disney a long time ago.) I have to remind myself that not everyone knows who these guys are! If you're an animator and you say, who's Ollie? You might get stoned. haha

     Seeing this list makes me think of all the things animators say today here in the studio about computer animation and the films we work on now. I mean I'm not sure how much substance our quotes might have, we can be a bit silly when we talk to each other in our offices... like really, really off topic, nsfw, 2 oclock in-the-morning-rants-about-nothing silly! But I think I will start to write things down when someone says something of note. Who knows, maybe you guys might want to know what we talked about behind the scenes 20 years from now! 

This quote is a fundamental step when starting to animate a character. Every movement, decision, and pose MUST have a purpose in our animation. This keeps a performance believable and natural. 

1970 book, "Composing pictures" is a book that gets as close as ever to the teaching style of Don Graham

Poses Matter = Appeal

When you observe life, you are mentally building a library of reference in your mind that soon will become second nature in your animation. 

subtext > action

Lol



We all know artist from different studios, and we all respect each other's films, but sometimes you just have to call it what it is. Even if it's not politically a great choice, speaking your mind with your friends is a way to observe, criticize and ask yourselves, "How would I do it better? What is it that is missing from their film/work so that we can add that x factor to our films?"

GOLD





       I hope this list was a unique insight or at least entertaining. You underestimate how much you learn by talking to your friends and colleagues. You can't learn everything by studying animation. sometimes you must dig and hear what the artist is thinking to understand how they reached their final product.

Monday, September 15, 2014

A close look at BAD ACTING and GOOD ACTING

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"bad acting"
is subjective - but there are certain repeating concepts that always seem to come up when ever we see bad performances on TV, animation, paintings. plays etc. Here's a short list of a few things I believe can be the difference between good acting and bad acting. I've been reading some great stuff about acting in articles around the web, I thought I could share! Enjoy!


Emotional armor.
When I watch actors, I want to see vulnerability. I am not necessarily talking about wailing and crying. Take a look at Anthony Hopkins in "Remains of the Day" for an example.



      Some people have too much armor, the biggest hurdles some actors have is portraying the uglier sides of human nature. Others have certain feelings they'd rather not explore; some simply don't want to look unattractive, others can't imagine ever PRETENDING to hurt a child. Bryan Cranston is also great because he drops his armor, it is so good (see "Breaking Bad") because he'll do scenes in his underpants literally and figuratively.

Pushing. Stanislavsky, http://en.wikipedia.org/wiki/Stanislavski's_system the great Russian acting theorist, helped us understand that acting works better when actors pursue goals rather than try to emote. Bad actors think their job is to emote. See Mel ("Give me back my son!") Gibson and Nicholas Cage. They EMOTE and force their acting.



LOL^


Lack of confidence in your delivery. If you are an animator this relates to the confidence of your acting choices and execution. If you are a painter or drawer: it's the confidence of your lines or brush strokes.  The key to not fall apart when something goes wrong is confidence! If one night your file crashes and you lose 4 hours of work, confidence can be the difference of falling apart or saying to yourself, "Nah I can do it again... AND BETTER." Confidence is when one feels like "I actually know what I'm doing, I enjoy doing it, and I can do it any time, anywhere, under any conditions, and I can recover from mistakes."

Understanding the power of words. They are your main tools when acting. Animators and actors can emphasis words as weapons or even aphrodisiacs. 

Own the way you/or your character looks. be comfortable with your body. and if you are animating, use the characters body in their personality! Skinny, fat, tall, short, ugly, or even beautiful - these body types can influence a performance/personality. 


Planning! The purpose of prep is so your mind is ready to let go and explore in the moment of execution. Unplanned situations will have you running back to comfort zones and boring choices.

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A short collection of some Great Scenes

1.  Taxi Driver -- Travis talks to Wizard, a fellow taxi driver, trying to convey the growing rage and dangerous thoughts building in his head.  ...feels so very real...



2.  American History X -- Derek sits at the dinner table with his girlfriend, his mother, his little brother and sister, and his mother's Jewish boyfriend, as they all discuss the then-recent L.A. riots in the aftermath of the Rodney King case. Edward Norton delivers an incredible performance... Also take notice how the camera shows the growing influence he is having over his little brother and the lose of control the parents have. 



The Dark Knight -- The Joker, captured by Gordon and the police, has arranged the kidnapping of DA Harvey Dent and Dent's girlfriend, Assistant DA Rachel. But the Joker doesn't know Rachel is the love interest of Bruce Wayne, aka Batman, as well. But he's about to find out. Heath Ledger's Oscar-winning performance is among the best villains in cinema history. Take a notice of Christian Bale's under appreciated performance and see if you could spot the moment he snaps. 



On The Water Front -- Marlon Brando influenced acting for everyone who came after him. Schooled in Method acting he was able to fuse vulnerability and ferocious rage (like how Ryan Gosling does in DRIVE, James Dean also had a similar style.) Check out how he listens and pursues her in this scene from "On The Waterfront."



A Single Man -- NO EMOTING EXAMPLE FOR THE WIN :) "starting the scene in one emotion state and finishing in another" is how Colin Firth said he tackled this scene. George Falconer (Colin Firth) is a closeted gay college professor in Los Angeles in about 1961. In this scene, he takes a phone call. His partner Jim has died in a car crash in Colorado while visiting his family, and a sympathetic cousin calls George to let him know. Jim's parents had not wanted to contact George, and he is not welcome at Jim's funeral. In this scene George experiences enormous emotion, and Firth conveys it while not really visibly emoting at all; he holds it together completely until he loses it completely. It's incredibly powerful. Also listen to what he has to say about his thought process through that scene. Check it out below.



Dark Victory -- Betty Davis plays a socialite, who has a brain tumor. She tries to live as much life as she can. This scene begins when she goes blind. She knows the absolute last stage of the tumor is when she loses her sight, and at that point has only minutes to live. I like how she shows hint of her subtext while her supporting actors are not. Wonderful contrast. 



Michael Redgrave's final speech in The Browning Version. His performance is simply devastating, and it comes together in this scene. The whole film is a work of genius by Redgrave. :)



The interview about the performance and acting
https://www.youtube.com/watch?v=poEci3xFXfE

Lord of The Rings -- GOLLUM :)



Colonel Drummond (Spencer Tracy)'s closing speech in the courtroom scene from Inherit the Wind (1960) THIS IS A PERSONAL FAVORITE that set the bar so high, all court room dramas still strive to get an ounce of what was captured here. 



GIANT -- James Dean



^Coolest Exit ever..


        I have many more clips, I guess I'll have to do a Part 2 of this post pretty soon. I hope you guys liked all these great insights and clips I've gathered from around the internet. Remember I didn't do the raw studying of these clips and I didn't come up with these acting theories myself. I'm just passing along information and I hope it reaches who ever is looking for it. Enjoy the rest of the week!

Monday, August 4, 2014

Why a bouncing ball?

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    I found this wonderful post on Cartoon Brew-ED that I feel all animators need to see. It illustrates how all 12 principles of animation are used in animation. If you are a student and you're thinking, "why am I learning how to do a bouncing ball?? WHY!?" This hopefully answers your question. If you can animate a flour-sack well, you can animate anything. The only thing standing in your way are probably technical skills such as drawing.

     

Post by Cartoon Brew-ED.

Wednesday, July 30, 2014

TEN MISTAKES YOUNG PEOPLE MAKE




     I've been there and done that. We've all made mistakes and that isn't news. The sad part is when people make mistakes and don't realize it. They then ask why weren't they given a chance or why did they get fired. You don't have to make these mistakes just to learn and build character. I made a list of a few to help you out! Take a look at this list and learn from the mishaps that others have done before you. 50% of the fight for finding any job is how you hold up as a person, the other 50% is the quality of your work. Always keep that in mind

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1.  Acting entitled
Do you feel your work is going to revolutionize the art world? Do you feel your work is so unique that you can't see why anybody WOULDN'T want to hire you? IF so don't act like everyone should treat you like a king or queen with out proving yourself first. ALSO If it's your first day, Don't ask to leave early to get an oil change for your car. Hopefully it'll dawn on you that it's inappropriate and sabotaging to your career
2. Starting the process too late
In a perfect world, college students should start looking for meaningful internships for summer break after their freshman year. Most students assume they will get a job after they graduate with out too much effort and wait too long to begin the process.
3. Under-utilizing the alumni network
"Yea Danny, I know a friend who knows a friend that has a sister who he met once... that'll totally hook me up" Though parents and their friends can provide good contacts, the network of professionals that comes through a college or university should be one of the first places you tap.
4. Using a resume that’s sloppy and too self-centered
Resume basics: like clear, tidy layout, careful proofreading for grammar and punctuation, and use of keywords from the job description. don't make it about what you want from an employer but rather what you could do for them. For example please do not say this, “entry level position where I can use my skills, ideas and enthusiasm and I can learn a lot.” Instead, the emphasis should be on what they can contribute to the employer.

5. Writing cover letters that repeat the resume
Don't regurgitate your resume. Make it short and to the point and say something about yourself that your resume does not.

6. Doing poor research
Know who you are applying for. Read everything on their site, search for news clippings about the company, and track social media information, like Twitter feeds and Facebook pages. Get a look at their culture and vibes.
7. Failing to clean up their social media profile
"BUT DANNY! They need to know i can be fun too!" lol, All of those piss drunk, yolo pictures on Facebook should be kept on the low with privacy settings. Everyone needs a polished LinkedIn profile. We're in the future now, adapt! 
8. Not showing enough appreciation for the interviewer
Say thank you for your time! Always thank the interviewer in person, make it clear you would consider it a privilege to work at the company and ask about the next step in the process. Then follow up soon. 

9. Failing to show generational deferenceNow this one is debatable but maybe that's because I'm still in my 20's but it is important. Be respectful to how things are done and go with the flow. Its a very modern concept that all parties have a voice and that's a good thing but tread carefully. Its very natural for us younger ones to want to just go up to the boss after our summer internship is finished and say,  “Could I give you some feedback on my internship?” We are are so used to being included in conversations, we fail to grasp our position in the pecking order. PLEASE don't think I 100% agree with this note but it is a reality and you will find yourself in workplaces that love their pecking order. Choose your battles carefully.
10. Relying too heavily on listings and job fairsThis habit is an epidemic, almost on par with "the thirst." Whether its looking for a job or looking for an apartment. Spending too much time applying to online listings, and through anonymous job fairs wont cut it anymore. Remember: Most people find jobs through people they know, rather than through advertisements. People find jobs by looking up companies and searching for their 'contact us' webpage. If you see a listing for a job, try to find a personal connection to the employer and use that as your entry point.

Thanks for reading! Hope that it helps you out!

Monday, July 7, 2014

How To Improve Your Creativity 101

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It's been a while. I wont make a big deal about this being my first post in almost half a year, obviously my clavicle is healed so lets just get right back to business :)

Staying creative is one of many things an artist must do to be successful

      It takes a lot of motivation and drive to continue making art. You will read MANY things that insist that they are the key to retaining your momentum and increase your drive. They are all a little bit true and a bunch of bull at the same time. Every person is different and will have different ways to get motivated. For example some people like it rough with the stress of deadlines while others enjoy a slower, thought out pace. It makes sense to me that what might motivate one person will not motivate another. 

      Today I read something that I felt spoke directly to me and gave me tons of energy inspiration. I read 4 tips about creativity by the creator of a comic strip called "Calvin & Hobbes" (Bill Watterson) I'll share them with you:

1) You have to lose yourself in your work
     Make your art and your thought process should be one. Inject your opinions and how you see the world into your work and let it inspire your imagination back. 
(I'm always thinking about my animation and even during stressful times, dream about it! This small tip I can relate to a lot)

2) Create for yourself

     Once in a while forget that you have an audience and just do what you like. Aim to make yourself laugh or a close family member. 
(I especially like this note because when you enjoy the work you are doing, you don't mind working hard and putting a 110% into your art)

3) Make it beautiful

     I'm going to quote the exact words bc it hits it right on the nose: "My advice has always been to draw cartoons for the love of it, and concentrate on the quality and be true to yourself. also try to remember that people have better things to do than read your work. so for heaven's sake, try to entice them with some beauty and fun."
(always do your best!)

4) Every medium has it's power
     Whether its the power for a few seconds strung over 10 years or a national anthem being sung at the World Cup Finals, video games, or crafts... Every Medium has a way to connect to people that is unique.

The internet never stops being creative

         These four tips have helped me out, I hope sooner rather than later you also find what you need to stay pumped about your work

Thursday, February 27, 2014

ONE ARM, a NEW FILM, and a Q&A




Danny, why haven't you posted any thing in a while???????

I'm sorry! I fractured my clavicle not too long ago and life with one arm is very hard. For instance, who knew that eating cereal could hurt you so bad!? I learned the hard way that chewing recklessly uses a lot of neck muscles :(  And forget about laying down and getting up on your own! I'm so lucky to have my girlfriend around taking care of me, though being taken care of makes me feel like a gimp. But I still super appreciate everything everyone is doing for me,

How did I break my collarbone?
by being awesome and playing softball! I dove for a ball while playing the outfield and landed tremendously hard on my shoulder. I had so much adrenaline it took me a few minutes to realize there was a bone sticking out of my neck :)

BUT DANNY, you are an artist! can you still animate??
That is the question of the hour, and yes, with one hand, foot pedals and tiny finger buttons I have found a way to animate at a snails pace. Crunch time is coming and we need all hands on deck. I am not dying or sick, so I am determined to join my friends in the trenches and pull my weight :) The great thing is, I can heal as soon as 3 weeks from now. The bad news: It's such an awkward bone to have broken, they cannot put it in a cast! So with a sling and painkillers, I have to let nature do its thing and wait for my bone to heal.

Now for some Juicy Stuff:
Danny, What are you working on now??


BIG HERO SIX
the image above is our crew shirt that everyone receives for working on the film! BIG HER 6 is a Marvel property that we are making into an animated film. You heard right, a MARVEL and DISNEY collaboration :D Animating princesses was a lot of fun, but it is really cool that now we are to animate a super hero movie. I can't elaborate much about the film but if you really want to find out more then go out and read the comic!

Usually my post are impersonal lectures that reveal very little about me. I'm going to shake it up a bit and post here a real time Q and A I did on my twitter. I hope you find it interesting and that it helps you mentally attach a personality to the person responsible for all these posts :)



STUDENT LIFE TIP: pregame before class so your participation grade goes up


  1. favorite power ranger and why? :)
  2. . white ranger bc it will always be the coolest halloween costume ever


  1. Advice to your younger, student self? (aka, give me advice)
  2. . time management is essential
  1. Which shots were yours?? :)
  2. hmm. One of my shots: olafs final note of his song "in summer!!" Where he finishes as funs off with ana and sven
  1. what's your favorite part of the animation process?
  2. . blocking! And polish :)...and getting finaled.. damn, I think I just like it all!
  1. Was there any particular, "ahhh-ha!" moments that you felt improved your work significantly?
  2. . yes. I was very green and a senior animator sat down with me and destroyed my work and taught me how to layer. Thank you Angus!
  1. And finally, favourite beer?
  1. I have looked up California College of the Arts, why should I go there and not somewhere else? oh and thank you for the answr
  2. bc that school is awesome. but really tho, its a school that will make u into a well rounded artist
  1. When doing anim exercises like the 1s on ur blog, when is it good to call it done? should we take it all the way thru polish?
  2. . give your self a specific amount of time to finish and stick to it!!
  1. When do you not use a layered approach? I cant figure out how someone would use it in an acting shot.
  2. . I pose to pose super physical shots. I like controling my shapes. I layer chest up shots or close ups!!
  1. what tips do you have for future animators? :)
  2. . your personality is 50 of your resume. Be nice to people!And master the 12 principles. They're principles for a reason
  1. Is an animator life amazing? Interesting?
  2. . Animator life: you end up seeing your anim crew more than your family or friends ?
  1. what made you want to become an animator and how did you start working for Disney?
  2. I worked at pixar before Disney. I originally went to college bc I wanted to be a painter. Animation.. just happened :)
  1. Somebody has gotta ask. Fav flavor of ice cream?
  1. Almost every animator has at least one post-it on their monitor to remind them about something anim related... any favorites?
  2. . I have a post It from my gf that says "I love u" That's my favorite one
  1. Will we ever find out about Hans's childhood? He's such an interesting character (and a total jerk but :/ )
  2. . I think your imagination will cook up something better than anything we can confirm
  1. How do you ensure you have good rhythm and texture in your shot?
  2. animate a bouncing sphere to the beats/movements in your shot. If the bounce timing is intersting then ur usually golden
  1. which Disney animator inspires U most and how much access do U get to study/view archived Disney work at the studio?
  2. full access! But don't eat cheetos and try to grab original animation.. they get angry