Success Survival tips #1

I get a lot of emails. Sometimes they are not all quick-times of animation, but honest questions. And they are not rare questions and a lot of professionals will answer them, but in like one paragraph. I know if I was to describe what I had to learn to get to where I am it would take longer than a paragraph. We all want to be big Redwood Trees but we all have to start of small like a seedlings. I know I did. So here is the email I wrote back. Hope it helps and gives insight to those who seek it. 

Hi Mark,

     There's only two things you got to think when thinking about getting into Pixar or any other place you might want to. 

      First, you have to make your work KICK ASS.. sorry for the lack of a better term, but you have to know animation inside out AND be able to perform and deliver. Even if it's not animation you must know your CRAFT and skill inside out and be able to do ANYTHING asked from you, or at least know what you would need to do to complete a difficult art piece. Some people stop there (Learning their talent inside out) but you also have to be creative, you have to be an artist with your animation/craft.That will hopefully come naturally but the hard part is getting good and honing your skills. That just takes time and dedication. Then all you have to do is combine your skills with your creativity and you're on your way to becoming a great artist.

      Second: You have to be or at least try to be a people person. I'm not saying you have to learn how to brown nose and such, but you must know how to just be a genuinely pleasant person to work with. Never burn any bridges, you never know who's help you might need in 3 years. YOU NEVER KNOW! So even if you don't like a peer or a teacher, never burn that bridge, just stay as an acquaintance or something where if you ever need to ask for a favor they do not have a reason to say no. That being said, do beware of fake people who are only nice to get themselves ahead. For example if they treat you like shit at first glance, but then they find out you are a very good animator or work someplace nice, all of a sudden they are your best friend and want to work with you. Pay those people no mind and try not to blend in with them, bc the actions of the people around you reflect on you. AND just watch out for people who are just nice because they KNOW they HAVE to be nice (like as if a douche bag read this post and says, 'Shit i gotta start being nice now') 

_______________________________________

       And that's all you need to know. Everything else falls into place if you can nail these two pieces of advice. Opportunities will find YOU and you won't have to search around. With me, I learned fast, but I learned and pushed my self to get my skills to become second nature so I can animate and focus on my ideas and creativity. You need to focus on your weaknesses and make them stronger from someone who knows what they are doing, ASK FOR HELP when you need it. bc all that time spent trying to figure it out on your own could of been put to better use. Find out what you want to do or get better at and learn to do it.

       You are 17, i do not know your skill level and how much back ground you have on animation. hell im only 22 and I'm here. SO IT IS POSSIBLE. Here is one piece of advice that I wished a lot of people would of gotten when they first started...  

      Do not through all your marbles one ONE PIECE OF WORK. Do not think that a whole semester on 46 seconds of animation will guarantee you a spot or a job if you bust your ass on it. Do not put your faith on one film for two years. Sure quality is what matters, but you ARE assuming you are a genius and you will get it right the first time... you need to produce a lot of work so that you can fail on 2 pieces and LEARN from them. There are things you can only get through experience and that is perspective and how to plan and see time and gauge your limits and skills. And knowing those things will help you make your third, fourth eighth film the best. You need to complete more than one film so that after it's all said and done, you have a group of work to choose from and see your progression. Quality is good obviously, and quantity is just as valuable, especially in a very time consuming medium that animation is.

     So listen and learn, then get good, then get fast, so that all you have left is to further develop your mind as an artist

     Your life long dream should not be to WORK at your dream job, it should be to do what you love WELL. So start doing the steps you need to get that ball rolling.

-Regarding the question how is it to work at pixar?

      Working at pixar is like going to school, but they are paying you to go. You are free to create and develop yourself as an artist. You work with great people and you are always learning and motivated to push your work and make it better. 

      In a nut shell thats all it is. There is no magic, these people are human like you and me. Art doesn't magically happen. Just like you working on an assignment and that takes time and thought.. Thats the same as me working at pixar on my assignment. Except at pixar you better be able to knock it outa the park eventually once your start on it, not necessarily on the first try but eventually.

       So start collecting all your dedication, and get ready mentally to make hard decisions. Sometimes you will have to sacrifice a social life when something is due in 2 weeks and YOU KNOW that it's gnna take you 3 weeks wort of work to finish. Be prepared to not have all the answers and YOU WILL discouraged. Best of luck to you, and if you ever find your self stuck send me an email and I am always here to help you out. Send me your work or shoot me a question. Anytime. Learn form people and teach people what you learn. Matter of fact, if you see some one who is in your spot too, let them read this email. bc it might help them out if it helped you out. You learn more from helping other people learn than trying to learn by yourself. I guarantee it'll be worth your wild. 

Aim high Mark, 

-Daniel Gonzales

-This Is How I Started Out..

      Instead of posting more Art work that I have done in the last 2 years I will take you back to show  how it was when I first started. Some favourite work of mine is from high school. My favourite work is not after I went to college, even though my draftsmanship greatly improved when I went to college and even better when I got to Pixar. It is from high school, because in high school all I knew how to do is translate my thought's to paper. When I look back over my work since I've started college I see a stop in that and more of a focus to get my drawing skills better, my life drawing and paintings all greatly improved ten fold but my thinking and creativity was put on hold. I see that happen with a lot of peoples art.

I see that in a lot of blogs and sketch books these days...

      People start to post sketches from sketch books and try to do a drawing a day or post multiple drawings they did that day of people at the park or just draw for the sake of drawing...


-Leonardo De Vinci said it best, "The painter who draws merely by practice and by eye, with out any reason, is like the mirror which copies everything in front of it with out being conscious of it's existence."


       Look at the picture I posted, in high school, people go through some raw emotions, sometimes for the first time, but none the less they are very intense emotions and feelings. This is a drawing i did way back then really fast, even though it sucks, I expressed a feeling. I had drawing skills that were enough to translate what I was thinking better but that wasn't the point. I drew for a reason. I drew to say something, I drew to let things out or express how I felt. I drew and didn't care if my drawing came out right, I cared about if the drawing communicated a thought. And I rather draw like that for the rest of my life than to draw perfect life drawings and masterful acrylic paintings till the universe freezes over. 

        So I have nothing against people who draw for love of drawing, I admit to doing so and filling up my last five sketch books with mostly good drawing nonsense. But again I will stress, what is the point of being an artist, (who's work is an ambassador of humanity for future generations), if you have nothing to say? I have been seeing a lot of reels/portfolios and looking at a lot of blogs. 75% of the things I see are for:
 
-For entertainment
-For showing off skills (aka trying to get a job)
-or for practice
-to draw/create pretty things because they like how it looks..


       A lot of the reels I see, they just have gags or exercises, and the typical - something that looks cool and bad ass. . (which I understand why, because that's all the time you have when you are doing it for assignments while in school..) These things you choose to make that might reflect your 'taste' but they NOTHING about yourselves. For example, how much do you realy find out about me if I just say I like the old TV show called 'F.R.I.E.N.D.S'? You don't learn anything form that just like I learn nothing form you when you make a short about a a person picking up something heavy....


      I'm guilty of doing the same for the last two years and only recently have I been using my Animation to make comments and reflect thoughts... I went home for Thanksgiving and documented EVERY drawing, sketch, doodle, shit stain, ANYTHING I ever made with a pencil or brush I took a photo of. In those old sketch books of mine there where drawings that showed me my own heart ache, happiness, cockiness, love, fear, hate, regret, want.. it was as if it was a visual diary. These drawings meant something. I look now look at my life drawing, what the HELL is a naked man holding a stick going to tell me about myself??? That I can draw proportions and weight pretty damn accurately!?
      I am so thankful and lucky to have received the training I have during college and high school But now I shall stop 'copying' and imitating what I see and start reflecting something more onto my paper.

There are some people out there that are making wonderful pieces such as Ashley Wood and Ryan Woodward. I hope to see an increase of art someday, but until then I guess I shall lead the charge on my own. 

Remember though, FIRST learn your craft, THEN say something with it.

       My drawing I posted in the beginning of this post was made when I was.. ehh.. in tenth grade, 5th period math...  I never made it into a drawing or finished it. I have tons of drawings to show but I wanted to show this little doodle that I did on one random corner of my sketchbook because it is a perfect example of me drawing down a thought in the moment, never to return to it again until today. During winter break my activity on this blog will start to slow down a bit so to compensate for me being so busy, I shall post every three days, a drawing or doodle from my very old sketch books. So you guys can have something to look at over the holidays. I don't know what I really expected to tell you in this post.. I just needed to get these thoughts out of me and I thought it might do some people good to hear what was going through my mind.


-Daniel Gonzales