Do You Feel Like You're Working Hard For No Reason?

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“If people knew how hard I had to work to gain my mastery, it would not seem so wonderful at all.”  - Michelangelo

Adventure 217: My buddy and me far from home in Africa..

     "Danny you should write your stories out." "You need a blog." "DANNY, your life is so cool.." (on the inside I'm rolling my eyes so hard and saying fuck off.. They only hear the adventures and they don't listen to HOW I got to this point.) I'm not ungrateful but I've noticed that what they see is a guy in a different country every other minute. They see a guy who worked on Frozen and had been a part of Disney Animation for nearly a decade. They call me brave, talented and different... Buying one way tickets and living out of a backpack for 3 years, Crossing seas and passing by lakes that he can't even pronounce. They project onto me this Indiana Jones character, or hell, for all I know maybe they see me as Julia Roberts in some Eat, Love, Pray bullshit.  Have you ever watched the film, 'The Fall* with Brad Pitt? Remember when he's off in the back of a caravan crossing some foreign desert on another continent with weird animal furs and women napping on him? I'm sure that's what a lot of people imagine me as, which sure... it sometimes has been like that but let me give you a peek of the not so glamorous side.

(I'm currently writing to you from the Nordics. Where it is -15 degrees and the snow looks like a million diamonds sparkling in the sun. It's a rare sunny day here and it's motivating me to be creative and write this post. I just had some oatmeal for breakfast and I have my coffee sitting next to my keyboard. It WOULD be pretty peaceful but I'm listening to "Mo Bamba" head banging as I type. Thanks for joining me here and reading this post.)

"Remember that every successful person or any person that is remotely happy is coasting off the momentum they have made."

    Take moment to read that again and let it sink in. Think of how a NASA rocket takes off. It has to use so much of it's fuel to escape the gravitational pull of the earth. Once it's gone though, it can virtually coast through space for the rest of it's journey. It's the same with people. An extreme example is an amateur athlete who trains like a spartan from years. After they win a gold medal or a championship, offers for endorsements, spokesperson contracts, merchandise deals, and other opportunities often come pouring in allowing them to slow down a bit and take advantage of the momentum they created earlier in their career.
    Likewise for any business minded person or profession, once you paid the price to establish yourself as an expert or a person of integrity who delivers high quality results on time, YOU WILL reap the benefits for the rest of your life. What does paying the price look like? It looks like spending countless hours working towards something shows no sign in getting closer. It looks like not getting paid for what you're worth and taking shitty deals. Sometimes you work for months will no real income. It is being scared, unsure and having tons of doubt but it never never never looks like giving up and staying still. You take all this and you keep moving... sometimes for years.

     I'm in the middle of this 'paying the price phase' right now for the second time in my life. "Wait.. What Danny? But you're set already aren't you?" (I literally "PFFFFF'ed" right now at my computer) Yes I'm in the middle of this again... and wait for it: BY CHOICE.) 
     Sure the first time I paid the price I was putting in the hours as a teenager. I was staying in my room, watching friends on TV and drawing day after day. Parties and hang out's? Once in a while yes I would be social but 80 percent of the time I was with my nose in my sketch book drawing my little heart out. During college, I was pulling all nighters when nobody told me I had to. Completing personal projects for no purpose other than to get it out of my system. I didn't know if it was good, but I did it. I read, I studied, I redid work, I was a machine. My thought to myself, If I am not practicing, someone somewhere is. The average Olympian trains four hours a day at least 310 days a year for six years before succeeding. Training works, but it isn't easy! You need to be willing to pay the price. 
       Even after arriving at Disney and Pixar, I would stay waaay beyond working hours diving into lectures and practicing my animation. Not because I felt my animation wasn't good enough, no. I was still 'training' because I knew my real goal still required me to learn. My real goal extended beyond Disney and Pixar.. I wanted to work for myself. I told myself, I'm not going to work on someone else's idea for the rest of my life. And that required not only learning about animation but diving in and learning inside out all the other parts of the Pixar7Disney studios. I remember I would email and ask Mark Andrews if I can sit in on the story internship critiques at Pixar and I would stay quiet and invisible in the back corner taking notes. I remember I would always go to the Art department in Disney and look at every concept design board and the notes written all over the work. I remember feeling so lucky when I fought tooth and nail to be given the chance to ask Miyazki HIMSELF a question on how he goes about organising his ideas and what was his process in picking ideas for films and scenes. Every thing I did was in the direction of a goal I had in my mind. If an action wasn't getting my a tiny step closer to my vision, I'd ask myself why I was doing it.
 

ME: Working hard or hardly working? 

      There was never a moment I felt I was ready to take my goal head on, but eventually I left the safety and comfort of Disney at the age of 27. I felt good with all the knowledge I had gained. Whatever came my way, I should be able to handle it right? I have seen the inner workings of one of the most successful company in history works. I've worked on billion dollar oscar winning films that have literally effected and changed a generation. But a reality check soon knocked me down with the force of a million hurricanes.

     "What is a business plan? How do I type an invoice? Did you word that contract correctly? Was I too modest and come off as an amateur when I should of been bold and sold myself better? Are you sure you're spending your money the right way? Did you just accidentally offend them as you were introducing yourself because you aren't aware of how the culture works in this country? Do you even know how the taxes work when you earn income from outside the USA?"

   OMG I have so many other examples of shit I went through these last three years.. The ones I typed above are just a few. So again I put in the work, I read, studied and typed and spend countless hours staying up all night learning. Most importantly I asked questions. I remember meeting a business investor in Nashville and after two drinks I kind of straight up asked, "What does an investor look for?" and for the next 3 months he helped me type  and revise 21 pages of business plans and other things.   
      The biggest thing to get what you want is to ask, ask ASK. You have to get use hearing the word 'no', you have to get use to getting ghosted and your emails receiving no responses. You have to get use to getting looked at funny, feeling like an idiot and just being in way over your head and out of your league. But it is paying off. Now I can say I'm set up with contracts with musicians and companies doing work on my own terms where I get creative freedom to do my ideas. I'll share all that if you'd like in another post. 

     Anything worth doing is worth doing badly in the beginning. Remember when you first learned to drive a car. to ride a bike, to play an instrument, or to play a sport. You understand in advance you were going to be very awkward at first. It's just part of the process. And this applies to everything! Children know the best that you have to give yourself permission to be silly. But sadly by the time we are adults, we're so afraid of making mistakes or if something doesn't workout, we don't allow ourselves to be awkward. So we don't learn, we don't succeed and we're so afraid of being wrong. 

We all had a first kiss... How awkward was that? if you could survive that, you can survive the hardships of chasing your dreams. 

POST #4: Are You Bad at Being Productive?

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     I hardly ever write when I'm in a good mood like I am in now. (Why the good mood you ask? I'll never tell) My best work and all my momentum to be productive usually happens when I'm feeling low. I'm talking about 'My Chemical Romance' kinda low hahaha. Does that happen to you guys? I'm always noticing that it's either I'm really low or really really high when I'm the most creative. And I mean high: emotionally speaking, Not to say I don't smoke weed. of course i do! Who doesn't? (awkward moment if you're reading this and you don't smoke) I don't care any way, there is no productivity when I'm just.. coasting in the middle in normal fashion like the rest of the world. I'm sure there are others that go through this just like me

Lets see if we can get to the bottom of why that is:

Productiveness 

     So! My short by the way, is coming along nicely. I'm currently doing backgrounds for all my shots. I'm taking the exact streets I walked through over and over again in the Lower East Side in New York and throwing them in the short. "Danny can we see pictures?" - Lol... good try.
      I'm behind schedule right now but I'm always behind schedule. Here's something I wrote in my first week in New York about being behind schedule;

"..I've met some awesome people and I'm staying in the moment. Even if productivity is slower than I'd like, who cares. I'm in New York.."

     Up to that point, the only productive thing I had done was pack my one suitcase and buy that one-way ticket out of California. I had told everyone I'm going to start working on my short. Isn't that such a cliche; "the artist procrastinates." I have my own theories about why that happens but I'll save that for later. I remember back to a time I would looove to blame everything else for my situation and unproductiveness. And it's all in-between the lines where you find the excuses. For example check out What I wrote when I first got to New York.

"Why does wine make me feel safe. Why does a drink make me feel so invincible. A shot or a sip gives me confidence... I need to shake this or embrace this."    - New York 2016

     Even then I was already starting to become aware of one truth that no one can ever teach you. It's something you have to realize on your own. What ever it may be that you want to blame: Fun, Friends, drinks, money problems, a busy job you hate, a shitty relationship.. Those things aren't your problem. Your predicament isn't your problem. I'll tell you what your problem is: Your problem is your attitude and how you look/think about those things. 
     To the self destructive procrastinator like me,:you don't know it, but you have a problem that's main symptom is that it convinces you that you 'don't have a problem.' It makes you think everyone else who has real problems are the ones that need help. The drinker, the sex addict, the druggie, the lazy person, The video gamer, the obese, the Netflix binge-watcher, all of them! Sure you are all those things too, but you do them successfully, right? ...because it's not a problem for you, right? You're fine :) Pop some ecstasy, drink a shit ton of water, make out with a few people and do a walk of shame on a sunny Sunday morning with the Los Angeles skyline in the distance. And boom, you're fine after an IN-and OUT burger and ready to run errands like any other perfect citizen. Oh and god forbid any one points out your problems! So as evidence that you can 'handle yourself better than the others', you point to all you have accomplished in life to prove your point. This is how you get addicted to the mindset, not necessarily the specific things you do.
    Talk about a closed mind! I'm better now but FUCK did I have to go a long way. I thought my source of my problems was my location. So I traveled a lot but just like your shadow, this is something you can't shake. This stays with you where ever you go. You can't run away from yourself. I figured that out in Australia.

     Anyway, I just wanted to say that the sooner you change your mindset the sooner you solve your problems. The source of the problems is always internal and never external. How you react and shape your perspective is key.

Man this sounds preachy. How lame hahaha.

     Any way there's this dude called Brandon Novak. He explains all this much better than me but that's because he hit rockbottom way harder than most of us ever will. He inspired me to write this post. I'll end it with a Novak Quote

“I was a dreamseller, a medium through which my loved ones could project what they wanted to believe, what they dared to dream—that I would be well. I sold them a dream, something that never existed in the first place, their own idealistic vision of me.” 
― Brandon Novak, Dreamseller

Back to School Tips for Artists

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       Art College costs a lot of money! What else is new... We can't change that. What we can change is how to make the most out of it. And guess what is also tough, being a successful artist! Lots of wasted energy can go into your freshman year or any year for that matter. So here are a bunch of tips I read from an article a while ago I thought would be helpful to share. Hopefully it will help out some people! Its hard being a Freshman so read these tips and maybe write a few down ;) Good luck! 

DID I CHOOSE THE RIGHT MAJOR??
If you can, double major. Do one that is practical and likely to get you a job! Seriously, putting your eggs all in one basket being an animator or a painter.. Don't do it! Its a huge risk! Thank me later. 

Sit in on your intended major’s upper-level classes. If they bore you, change your major. (For animator's with their eyes set on big studios TAKE A CG CLASS YOUR FIRST SEMESTER) 

Ask upperclassmen which professor challenged them and helped them understand the most important concepts to their major. Take the class from the professor that comes up the most. 

When you pick a major, find out if people usually take more schooling after graduating in that major. Sad story is, that most freshmen don't know that their art B.A. wont do anything for them in many fields.  

It’s never too early for internships. Or you will have regrets. Many people wait till their senior or junior year which is a big mistake. You can always return back to school, you can't always ask for that opportunity to internship once it passes.  Don’t let one of those big regrets be lack of experience because you started looking for internships after you graduated and need a job. 

CLASS STRATEGY

If you don't like a class or you think you are being over worked. Drop a class! Or if you don gel with a teachers teaching style, switch! 

Do all your hard classes first. Or you WILL burn out.Not every professor is great. Not every course is great. Sometimes you have to take the bad ones. The trick is not to let your good classes suffer because the bad ones caused you to burn out early. Prioritize your time ;) C's and D's get degrees!! (I heard that term from a friend in Berkeley haha)

If you’re in a major that has a lot of writing, take a class that teaches you how to write — not one of those waste-of-time freshman seminars that have a topic and tell you to write about it, but one that actually teaches rhetorical styles and how to think about writing. If you learn to write well and fast, A’s from all-nighters come easy, especially in upper-level classes that only have you submit a paper. Not so much related to art students but the concept is. You have a major that has a lot of drawing, LEARN HOW TO DRAW well. Don't take a walk in life drawing class, take one where the instructor actually cares and instructs. 

Ask your teachers questions often.

Ask your advisory what classes are required and fill fast? take those early. If not you might be in a situation where you have to graduate an extra semester later bc you couldn't get into a required class. 

STAY ALIVE

If you don't exercise, try doing it the summer before you start school and try to keep it going through classes. You will be sitting and going through a lot of stress. Get your body ready and weather the storm as best you can!


SLEEP! 10 minute power naps will save your life. There comes a point where you will become unproductive, learn to recognize that and just go to sleep. wake up with energy and get back to the grind!


Ask for help if you are drowning. An adviser, a teacher, fellow students. You are not alone and we're all trying to get you to succeed.NEWS FLASH! It’s O.K. to skip a class here and there. It’s O.K. to go to class in pajamas. It’s O.K. to go to class with a runny nose. Don’t worry about that one class you tried hard in but still earned only a D. It won’t matter in the long run. 

LIFE

Get to know the people around you, even if you dont think you'll like them. everybody knows something you do not, find out what that is, and in the process you might learn to like them. Make your wolf pack squad that will get your back when you're sick and forward you your class assignments. Socialize with your professors and classmates, you never know when they'll come in handy.

LEARN HOW TO DO SMALL TALK FOR CHRIST SAKE! I don't care if it's awkward, practice it!! Its a basic skill that will cripple you if you don't have it when looking for a job.

Enjoy college, go PARTY, project X style! Go make friends, make mistakes, go to sporting events, get into trouble once in a while! Dont let life pass you by.

Do try to go to class. your professors are people too. Be kind and respectful. They are trying to teach you some good stuff.

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I hope this helps you out, share it with fiends and remember to not under estimate college! Good luck to all you starting the school year.  If you want to read a better written version of these tips click here! James Yang wrote a much better article than  me :) 

Why does Disney still have drawing classes?

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(I read this really cool article a while back! Thought I'd summarize it here because it touched upon some important things students and new animators should keep in mind! Enjoy the post!)

The Disney Studios

"Disney makes movies with only computers now, nobody draws, CG is destroying the business, Remember when animation used to be good??"

      This is shit I read on the daily.. But it couldn't be further from the truth! Over here at Disney we draw, and are always learning. For about 82 years this studio has been developing and teaching artist behind the scenes through figure drawing classes and with lectures on classical drawing.

Why??
       As artist we are dealing with characters. Characters have bodies and we have to know how to move them believably! Other wise you get animation that looks like it came straight out of 'QWOP'

      In these drawing classes here at Disney, they don't just lock us in a room with "it's a small world" blaring from speakers as projectors flash the words: "MAGIC MAGIC MAGIC" over and over, lol. We actually have some pretty cool drawing masters lead the class and walk around as we draw the model. Sometimes as they will politely interrupt you and say, "Nice!" While other days they might sit down and give you a personal demo on how to nail that foreshortened knee.

      You can create an animated film with out knowing how to draw. But it's more about what drawing knowledge can add to your art. "You can't achieve dynamics with out bones and structure, and in order to have structure you need to study it. From there one can extend out in any direction towards any style." -Karl Gnass

      Check out this drawing by Glen Keane. Drawings like these influence how the characters are created and sculpted in computer animated films.

   On a more personal note, these drawing classes aren't to just have us in tip-top shape 24/7. They also serve as an escape. I know I go to these 2 1/2 hour classes during lunch to get away once in a while. Some people play Foosball, others sit and video chat with love ones. All day you are working on the directors vision and bringing it to life which is awesome! Though, getting some 'me' time to remind myself, 'hey I have ideas too' is also great. I get to do what ever I want in that class and have some fun creating something for no one other than me. That opportunity to do that in your work place is priceless!

      Who do we have to thank? Art Drawing classes started at Disney around 1932 thanks to Art Babbitt. It was uninstructed at first, but then Disney hired Don Graham, who taught at an art school in Los Angeles.

Figure Drawing back in the day

    Now to something relevant: You will see computer artist who are attending drawing classes with the sole intent to gain some secrets of how things move by studying anatomy and structure. They don't understand that its more than that. You have to not only understand why something is right but also how to create it from the inside out with feeling. (WOA DANNY, that was way tooo artsy. slow down there) All I'm saying is that you don't draw to become an animator or to work in animated films. You draw to help yourself become an artist. And that said, Artists can make the best animators.

Thanks for reading!
The original article is here so make sure to give it a look for it is much better written :) Original text

Interviewing a Disney Animator

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Hi everyone!

    I was going through some things and I found this interview I did a year or two ago. Thought it would be nice to post it for all to read. :)

     Right now I'm working on Zootopia, comes out spring 2015. We are in the middle of production, hours are long and the work is intense.. and I love it! I can't wait for all of you to check out the film when it comes out. in the mean while I'm trying to stay sane with some sort of work life balance (along with a few drinks here and there!) For all of you going through a tough crunch or about to start school, don't forget to have fun! hope you enjoy the post! 

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Author: Canadian Diva

Daniel L. Gonzales is the epitome of where hard work, strong values  coupled with creativity can lead to one being successful at such a young age. He was the youngest intern at PIXAR Animation Studios which  receives over 2000 postgraduate applications a year and picks only a few for the job. After working 3 years at PIXAR, Mr. Gonzales then moved to Los Angeles, California to work at the Walt Disney Animation Studios where he continues his creative magic for all of us to see on the big screen.

This incredible, artistic prodigy was born in  San Diego, California in 1988. His interest and natural talent in  drawing, as well as painting, was noticed when he was a child. When he entered into college, he moved to Oakland and studied at the California College of the Arts, where his gift for animation was further encouraged into becoming his major.

Daniel Gonzales’  work has been seen on animated features such as, “Toy Story 3″, “Wreck-it-Ralph“, “FROZEN” and the upcoming Fall 2014 Theatrical Debut,  “Big Hero 6″.

Mr. Gonzales is also a teacher for up and coming animators. He has a Blog with great tips for animators as well as other fascinating articles on being creative which also includes life-related articles pertaining to his experiences that you could read about here.

We are so excited to be interviewing Daniel Gonzales for Tips from the Disney Diva.

Hello Daniel, it is such a pleasure to do this interview with you. What a dream job you have! Could you give our readers a glimpse into the day in the life of a Walt Disney Studio’s Animator?

A day of a Disney Animator… Well I can’t speak for my co-workers but besides waking up and the morning commute, my day is pretty much filled up with problem solving! As an artist, you are solving problems all the time. You have a piece of art to create and a mission to find a solution that gives you the right composition, timing, poses, lines, rhythm, arcs and more. They all need to work together in a harmonious way that’s appealing to look at. We animators might make it look easy once it’s on the big screen, but it’s a lot of hard work! To be honest, at the end of the day it doesn’t feel like work when you are doing something you love.


You and I have had similar upbringings, in which we both were raised by single mothers. How did growing up in a single parent environment fuel your career choices and motivate your drive to succeed?

Growing up was hard, but as a kid I didn’t know it was hard. When I was younger it was what it was and I loved it because  it was the only life I knew. When you have a single mom as a parent, you are raised pretty much by your whole family. Everyone has to help out and take care of you while your mom goes to work. So I got a lot of different perspectives growing up and I do think that helped me as an artist. I have all these different view points and angles of life to pull from and I am able to insert this into my work. Seeing my mom work hard for us made me want to work hard in something, and it just so happen to be art. 


There is often a stigma or stereotype of people in their 20’s. That they feel entitled and not willing to work from the bottom up. Could you comment on this, how you seem to break this stereotype at such a young age. And what steps do you feel young adults of your generation need to do to get ahead?

I think what we call stigma and the stereotype of 20 year olds is a mis-understanding and I’ll tell you why: It’s not that 20 yr olds feel entitled, it’s that they were raised in a time where hierarchy is no longer valued and treating everyone equal and the same makes more sense. This leads to one thinking they are equal to their boss and that everyone’s opinion is dumb and good at the same time and you can speak your mind freely. This, to people who were not raised as such,  might see this as cocky, brazen, or an entitlement complex that needs to be included in every conversation in the work space. The ‘not willing to work’ part is just that people underestimate how much work it takes to get things done, this is learnt overtime and with experience.

When I first started to work in my late teens, I was very green. Keeping your head down and taking licks was a concept I had never heard of growing up. In my neighborhood, respect was never given for free and if you thought something then you spoke your mind. But now looking back, I am so grateful for the friends I had working in the many places I have been at. They really helped me adjust and learn. I learned It is very important to be respectful to everyone, humility is a virtue and not a weakness. It is even more important to keep in mind that everyone knows at least one thing you don’t. You are always learning and there is so much one doesn’t know. When I see teenagers and 20 year olds with the mind set that they are going to change the world, that their way is the right way and everyone else is wrong and there is a new big fish in the pond, I smile. Not because I use to kind of be like that, but because I hope they are right. I hope they are the ones that change the world and teach us older people a thing or two. I hope that they challenge the status quo and butt heads against the current establishment and shake things up. I think the world needs this kind of push and pull between some of us who like the way things are and those who want to change it. I believe somewhere in the middle of those two camps is the answer.

I wouldn’t change anything about how this generation is doing things, let them find their own way and hopefully that way turns out better.

You worked on “Frozen” which has literally taken the world by (ice) storm! Did you and the team of over 600 artists, working on “Frozen”, ever imagine the blizzard proportions this would cause? Would you be able to tell us which component of the movie you were part of?

Some foresaw the success and others did not, but boy did it still surprise us all when it took off! I personally did not ever imagine the effect it was going to have on the world. I was a part of a team of about 70 animators. We all worked on all the characters together and animated them to life. I was a small piece in something much greater than me and I love that feeling. Everybody is a small piece, but together we create an awesome, unique team that wouldn’t exist otherwise without us.

“Big Hero 6″ is the next Walt Disney Animated Feature coming to the big screen on November 7, 2014. There is so much anticipation and excitement about this film, could you tell us a bit about it?

I can tell you that I am proud of it and I can’t wait for everyone else to experience all the hard work my colleagues and I have put into it.

Disney Animators have literally become a household name with the “Disney Princess Animator’s Collection”. Who are the Disney Animators you admire and enjoy working with?

Like I mentioned above, I believe everyone knows something I don’t, so I am always ready to learn from anyone. This makes every single co-worker someone I respect and makes me eager to work with them. I learnt a lot from the animators who have come before me that are also very very talented. Animators such as Milt Kahl, Glen Keane, and Eric Goldberg are household names in the work place at any animation studio.

You are now a teacher and role model for future Animators, how does it feel like to be in this role and how do you approach being an important key to the future generations in your line of work? 

I don’t feel like a teacher, I just feel like another person fulfilling their role on a game of hot potato. I have all this insight and knowledge that is very hot and I can not wait to pass it on to someone who wants and needs it. I approach this role with the mindset of: just be myself, it’s the information that matters, not who is delivering it. The moment I take myself out of the equation I start to relax.

Most people do animation and painting as a hobby yet since you are able to do this as your main work, what are your hobbies and interest outside of your career?

I paint and draw all the time. I hang out with friends a lot as well. I think I do it so much it might as well be a hobby!

Now for some FUN Disney Questions…

Favorite Disney Theme Park?

My favorite spot to check out is Disneyland in Anaheim. Specifically Adventureland!

Favorite Disney Attraction and Why?

I like riding Splash Mountain, on repeat, right before the park closes at midnight because the line is literally nonexistent. When you’re with the right crowd and have a lot of energy it is the best way to end the night.  I’ve had so many good times with my brother, cousins and friends posing for the camera when they take your picture on the last fall.

We Have a Lot of Foodies on Our Writing Team As Well As Our Readers Who Love Food… What is Your Favorite Disney Snack or Meal?

There are so many choices to choose from because Disney does food so well. What would I choose?? The ice cream spot on Main Street USA in Disneyland, The Dole-whip Pineapple Float right outside the Tiki-room, Or the tasty drinks at Trader Sam’s Bar inside the Disneyland Hotel and Resort. But HANDS DOWN, if I had to choose one thing it would be the SPICY CORN DOG in California Adventure. Only one spot has it and it’s near Goofy’s Flight School. Sometimes I just go for the corn dog and not the rides, it’s that satisfying.

Any Favorite Disney Themed Restaurants?

Trader Sam’s has an awesome atmosphere and I love grabbing an appetizer because the vibe is so good.

Favorite Disney Movie Growing Up?

The “Lion King” was a favorite of my younger brother, so I would watch it everyday with him after school. I know that movie by heart,  but personally I liked “Bambi”. In my opinion, it’s a very artsy film and I like what they did with colors and the music throughout the film!

Favorite Disney Character You Enjoyed Working On?

I enjoyed working on Olaf. He was so appealing and there was never a boring moment animating him!

How Did You Show Your #DisneySide

I post a lot of Disney jokes on twitter..

Disney Villains Are All the Rage Now…Who is Your Favorite? 

HANS from “FROZEN”  is by far my favorite. I don’t know why exactly, maybe it’s because he seems like a sociopath and he pretended to be a good guy for most of the film. The fact that he doesn’t have any magical powers and had to rely on his smarts is very cool for me.

With the excitement building of “Big Hero 6″ out in November 2014 – being a Marvel/Disney collaboration, who is your ultimate, favourite Marvel Character?

I enjoy “Spider-man”. His comics are always well done and I love how artists have been drawing him. One thing that makes “Spider-man” special for me, is that before he became Spider-man, he let a robber get away for selfish reasons. That same robber ended up killing his guardian Uncle Ben. This story line really made it clear to me that,  your choices have consequences which could come back to hurt you. I know other Super Hero’s also have those kind of moments but “Spider-man’s” story illustrated it distinctly for me.

Which Disney character are you most like?  And which Disney character inspires you?

I never thought of what character I was most like before. People have told me when my hair is messy I look like Aladdin in a good way or Prince Eric.But a memory of mine did pop up right now that I would of never remembered if it wasn’t for this question! It’s of me when I was younger watching ‘A GOOFY MOVIE’ and relating to the main character. I think his name was Max. Max was in school and had a crush he wanted to impress so bad that he was willing to compromise his family vacation! Now, I never ruined a family vacation but I’m  sure almost everyone can relate to doing stupid things to try to impress or get someone’s attention when they were younger.
I don’t know what character I am most like, maybe that’s a question for my girlfriend, she knows me better than I do sometimes!

In regards what inspires me: I am inspired by how Roger in ‘101 Dalmatians’is animated.

If you were to meet Mr. Walter Elias Disney (Walt Disney) in another life, or in a future heaven, what would you like to say to him?

I would ask him what was his hardest moment, physically and/or emotionally (like hitting rock bottom). What was going through his mind at that time and how he got through it. You can learn a lot about a person when you see them at their worst, but you can learn even more when you see them persevere.

Things animators say at Disney

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Animators are always talking: we trade tips, talk art, make each other laugh.
We're family behind the scenes

   

  I think the best kind of advice and life lessons come candidly. Sometimes the things people say when the mic isn't on, get right to the point and is more truthful than any prepared speech can ever be. These quotes below are some I found on the internet. If you are looking for more: Andreas Deja has tons of quotes on his sight and so do a whole bunch of other blogs. So this is a short list of some things the 9 old men use to say. (who were the 9 old men? -They set the bar and raised animation's status in art. They were Master Animators that worked at Disney a long time ago.) I have to remind myself that not everyone knows who these guys are! If you're an animator and you say, who's Ollie? You might get stoned. haha

     Seeing this list makes me think of all the things animators say today here in the studio about computer animation and the films we work on now. I mean I'm not sure how much substance our quotes might have, we can be a bit silly when we talk to each other in our offices... like really, really off topic, nsfw, 2 oclock in-the-morning-rants-about-nothing silly! But I think I will start to write things down when someone says something of note. Who knows, maybe you guys might want to know what we talked about behind the scenes 20 years from now! 

This quote is a fundamental step when starting to animate a character. Every movement, decision, and pose MUST have a purpose in our animation. This keeps a performance believable and natural. 

1970 book, "Composing pictures" is a book that gets as close as ever to the teaching style of Don Graham

Poses Matter = Appeal

When you observe life, you are mentally building a library of reference in your mind that soon will become second nature in your animation. 

subtext > action

Lol

We all know artist from different studios, and we all respect each other's films, but sometimes you just have to call it what it is. Even if it's not politically a great choice, speaking your mind with your friends is a way to observe, criticize and ask yourselves, "How would I do it better? What is it that is missing from their film/work so that we can add that x factor to our films?"

GOLD

       I hope this list was a unique insight or at least entertaining. You underestimate how much you learn by talking to your friends and colleagues. You can't learn everything by studying animation. sometimes you must dig and hear what the artist is thinking to understand how they reached their final product.